Conclusion

Ultimately, while Lavin's research focused on examining Bernini's literal fusion of architecture, sculpture, and painting [1], the idea of his "Unity" of art can be proven even by looking at individual media pieces, specifically his sculptures and paintings. The sculptures show that Bernini was novel in bringing Baroque painting themes to sculpture - he blurred lines and constraints that existed previously. Through his self-portrait, we see how he was conversely able to bring his carving techniques and mastery to oil painting.

A future study could examine more of Bernini's childhood and education to understand the root of his desire and ability to work across media. Additionally, an analysis of a much larger quantity of his pieces would bring more credibility to the ideas discussed through this exhibit.

[1] Lavin, Irving. Bernini and the Unity of the Visual Arts. New York: Oxford Univ. Press, 1980.