1 10 13 https://baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Divine_Providence_Glorification_of_the_Reign_of_Urban_VIII/Cortona_Allegory_of_Divine_Providence.jpg 94169140faafe9e6c60a46dec9675a1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Divine Providence: Glorification of the Reign of Urban VIII Description An account of the resource Divine Providence: Glorification of the Reign of Urban VIII is one of the reigning examples of the Baroque ceiling fresco, a manifestation of Pietro da Cortona’s mastery of Baroque style. The fresco dominates the ceiling of the Palazzo Barberini, the estate of Pope Urban VIII’s family, and pays extravagant tribute to the family in a mass of allegorical and mythological figures. The central female figure, Divine Providence, reaches up towards the Barberini family coat of arms, the set of three bees, supported by the Fates. She directs Fame, who holds a starry crown. Other notable characters include the mythological Hercules and Minerva; Chronos, time personified; Immortality; Religion; and Good Government. The fresco places its myriad figures in a framework of painted stucco columns, but the rest of the image opens the ceiling to the heavens in an illusory extension of space. Cortona’s work in this fresco indicates some of the technical innovations emerging particularly in Baroque ceiling painting. Earlier painters had utilized methods of trompe l’oeil, or “tricking the eye” as a way of manipulating a painting to blend with the wall on which it was displayed or extend a space backwards into the wall. Greater contrast in light and shadow and perspective techniques like foreshortening could be used to make a painted figure “project” outward towards the viewer. In this case, Cortona extends the space of the Palazzo Barberini upwards with the practices that came to be known as quadratura and di sotto in sù. Quadratura refers to the extension of architectural elements from the walls of a room into the painted ceiling; the addition of false columns or balustrades into the painted image increases the perceived height of the ceiling. Di sotto in sù, or “as seen from below” painting, was not quite at its height in Divine Providence but Cortona developed the technique further in his fresco in the nave of the Chiesa Nuova in Rome. Creator An entity primarily responsible for making the resource Pietro da Cortona (1596-1669) Source A related resource from which the described resource is derived Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. This source provides an overview of the most well-known practitioners of illusionistic painting in the Baroque period, touching on such notable figures as Pietro da Cortona (1596-1669); Giovanni-Battista Gaulli, known as Baciccia (1639-1709); and Andrea Pozzo (1642-1709). It traces the origins of Baroque style and how that style translated into the newly bold, dynamic ceiling frescoes of the period. Pietro da Cortona in particular is set apart as a trailblazer of Baroque painting, especially in his use of illusionary tactics including trompe l’oeil, di sotto in su, and quadratura. Publisher An entity responsible for making the resource available Pietro, da Cortona, 1596-1669. 1633-39. Rome: Palazzo Barberini: Divine Providence, Glorification of the Reign of Urban VIII. https://library.artstor.org/asset/ARTSTOR_103_41822000549095. Date A point or period of time associated with an event in the lifecycle of the resource 1633-39 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource The Service Platform and Content. The Service platforms and any trademarks, issued patents, and patent applications, copyrights and copyright registrations and applications, rights in ideas, designs, works of authorship, derivative works, and all other intellectual property rights (collectively, “Intellectual Property”) relating to the Service platforms are proprietary to ITHAKA and all Intellectual Property related to the Content provided by ITHAKA’s participating libraries, universities, publishers, scholarly societies, and other Content contributors are proprietary to them, subject to the rights of third parties. Format The file format, physical medium, or dimensions of the resource Stucco/Fresco Type The nature or genre of the resource Ceiling fresco Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palazzo Barberini, Rome, Italy https://baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Triumph_in_the_Name_of_Jesus/Gaulli_Triumph_in_the_Name_of_Jesus.jpg 42523aca833d9cdc41fe4b5a755c27b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Triumph in the Name of Jesus Description An account of the resource Triumph in the Name of Jesus is the most well-known of Giovanni Battista Gaulli’s frescoes decorating Il Gesù in Rome. Gaulli, commonly known as Baciccio, was mentored by Gian Lorenzo Bernini, an outstanding figure in the Italian art world. He received the commission for Il Gesù’s ceiling frescoes through his connection to Bernini, who directed him towards the commission competition and recommended him to the Jesuit order. Gaulli caters to the order’s interests; the fresco is built on Jesuit symbolism and direct spiritual appeal. The central Jesuit monogram radiates light onto the surrounding angels and holy beings as they look up towards it in awe. As the virtuous marvel among the clouds, the damned souls tumble as if falling towards the viewer. Around the stucco frame of the main fresco, stucco sculptures of angels interact with frescoed portions of the ceiling and blur the line between the two-dimensional and three-dimensional elements of the work. Gaulli’s work in this fresco builds on the innovations in perspective and illusion explored by Pietro da Cortona while incorporating the painting skills he learned from Bernini. The painting opens the ceiling to the sky, and Gaulli uses the di sotto in sù effect to lend a certain physicality to the image of heaven. The dramatic shrink in the size of the figures suggests a perceivable distance between heavenly and earthly planes; this inspires an emotional response to the immediacy of heaven, supplementing Jesuit belief in missionary work and active religious participation. Gaulli adds to his three-dimensional illusion by adding dark glazed areas on the vault where the painted clouds and figures would theoretically cast shadows as they obstruct the blazing light. The contrast of lighter and darker sections of the overall image as a compositional method highlights the Baroque painting style that was well-established by that time. Creator An entity primarily responsible for making the resource Giovanni Battista Gaulli (Baciccia) (1639-1709) Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. This source explores the fresco work of Giovanni Battista Gaulli, commonly known as Baciccio, in the decoration of the Gesù cathedral in Rome. An introductory biography of Baciccio provides his background as a pupil of Gian Lorenzo Bernini, and the following material gives an overview of his various works within the cathedral, particularly his ceiling frescoes. The well-known Triumph in the Name of Jesus fresco is discussed in terms of both its technical and emotional prowess. Publisher An entity responsible for making the resource available Gaulli, Giovanni-Battista, 1639-1709. 1676-79. Triumph in the Name of Jesus. https://library.artstor.org/asset/ARTSTOR_103_41822000819514. Date A point or period of time associated with an event in the lifecycle of the resource 1676-79 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource The Service Platform and Content. The Service platforms and any trademarks, issued patents, and patent applications, copyrights and copyright registrations and applications, rights in ideas, designs, works of authorship, derivative works, and all other intellectual property rights (collectively, “Intellectual Property”) relating to the Service platforms are proprietary to ITHAKA and all Intellectual Property related to the Content provided by ITHAKA’s participating libraries, universities, publishers, scholarly societies, and other Content contributors are proprietary to them, subject to the rights of third parties. Format The file format, physical medium, or dimensions of the resource Stucco/Fresco Type The nature or genre of the resource Ceiling fresco Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Il Gesù, Rome, Italy https://baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Glory_of_St._Ignatius_Loyola_and_the_Missionary_Work_of_the_Jesuit_Order/Pozzo_St_Ignatius_Loyola.jpg 8d537e729af1ba972cee3dbd9dc90ff1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Glory of St. Ignatius Loyola and the Missionary Work of the Jesuit Order Description An account of the resource Ceiling fresco by Andrea Pozzo in the church of Sant' Ignazio Creator An entity primarily responsible for making the resource Andrea Pozzo (1642-1709) Source A related resource from which the described resource is derived Pozzo, Andrea, Italian, 1642-1709, (painter). 1688-1694. Interior, nave vault, fresco: Glory of St. Ignatius Loyola and the Missionary Work of the Jesuit Order, Larger Entity: S. Ignazio, Paintings. Church. Place: Current: Rome, Italy. https://library.artstor.org/asset/APINTOIG_10313945391. Publisher An entity responsible for making the resource available Pozzo, Andrea, Italian, 1642-1709, (painter). 1688-1694. Interior, nave vault, fresco: Glory of St. Ignatius Loyola and the Missionary Work of the Jesuit Order, Larger Entity: S. Ignazio, Paintings. Church. Place: Current: Rome, Italy. https://library.artstor.org/asset/APINTOIG_10313945391. Date A point or period of time associated with an event in the lifecycle of the resource 1688-94 Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Stucco/fresco Type The nature or genre of the resource Ceiling fresco Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Sant’ Ignazio, Rome, Italy Rights Information about rights held in and over the resource For uses of Licensor's Images beyond those permitted by Artstor, please contact: Visual Resources Collection, Princeton University, Dept. of Art and Archaeology, 207 McCormick Hall, Princeton, NJ 08544-1018; Tel No: (609) 258-3776; Email: visres@princeton.edu Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility. https://baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Trinity_in_Glory/Cortona_Trinity_in_Glory.jpg 36332a6f1f857314dce70da06034fc5a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trinity in Glory Description An account of the resource Ceiling fresco by Pietro da Cortona in Chiesa Nuova Creator An entity primarily responsible for making the resource Pietro da Cortona Source A related resource from which the described resource is derived Pietro da Cortona. October 1647-1651. Trinity in Glory. fresco. https://library.artstor.org/asset/SCALA_ARCHIVES_1039614307. Publisher An entity responsible for making the resource available Pietro da Cortona. October 1647-1651. Trinity in Glory. fresco. https://library.artstor.org/asset/SCALA_ARCHIVES_1039614307. Date A point or period of time associated with an event in the lifecycle of the resource October 1647-51 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource (c) 2006, SCALA, Florence/ART RESOURCE, N.Y. Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility. Format The file format, physical medium, or dimensions of the resource Fresco Type The nature or genre of the resource Ceiling fresco Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Dome of Santa Maria in Vallicella (Chiesa Nuova), Rome, Italy https://baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Fresco_in_the_Sala_di_Apollo/Cortona_Sala_di_Apollo.jpg 7e767c24de878cbd2e725d1040f9de6f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fresco in the Sala di Apollo Description An account of the resource Ceiling fresco by Pietro da Cortona in the Sala di Apollo within the Palazzo Pitti Creator An entity primarily responsible for making the resource Pietro da Cortona Source A related resource from which the described resource is derived Pietro, da Cortona, 1596-1669. 1647. Pitti: Sala di Apollo: det.: ceiling. Place: Palazzo Pitti. https://library.artstor.org/asset/ARTSTOR_103_41822000615359. Publisher An entity responsible for making the resource available Pietro, da Cortona, 1596-1669. 1647. Pitti: Sala di Apollo: det.: ceiling. Place: Palazzo Pitti. https://library.artstor.org/asset/ARTSTOR_103_41822000615359. Date A point or period of time associated with an event in the lifecycle of the resource 1647 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource The Service Platform and Content. The Service platforms and any trademarks, issued patents, and patent applications, copyrights and copyright registrations and applications, rights in ideas, designs, works of authorship, derivative works, and all other intellectual property rights (collectively, “Intellectual Property”) relating to the Service platforms are proprietary to ITHAKA and all Intellectual Property related to the Content provided by ITHAKA’s participating libraries, universities, publishers, scholarly societies, and other Content contributors are proprietary to them, subject to the rights of third parties. Format The file format, physical medium, or dimensions of the resource Fresco Type The nature or genre of the resource Ceiling fresco Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Palazzo Pitti, Florence, Italy https://baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Paradise_Singing_the_Praises_of_Jesus/Gaulli_Paradise.jpg d9556e31701974bc4089f90ec4a3b14c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paradise Singing the Praises of Jesus Description An account of the resource Ceiling fresco by Giovanni Battista Gaulli in the Chiesa del Gesù Creator An entity primarily responsible for making the resource Giovanni Battista Gaulli Source A related resource from which the described resource is derived Giovanni Battista Gaulli. 1676-79. Paradise Singing the Praises of Jesus. painting. https://library.artstor.org/asset/SCALA_ARCHIVES_1039613409. Publisher An entity responsible for making the resource available Giovanni Battista Gaulli. 1676-79. Paradise Singing the Praises of Jesus. painting. https://library.artstor.org/asset/SCALA_ARCHIVES_1039613409. Date A point or period of time associated with an event in the lifecycle of the resource 1676-79 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource (c) 2006, SCALA, Florence/ART RESOURCE, N.Y. Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility. Format The file format, physical medium, or dimensions of the resource Fresco Type The nature or genre of the resource Ceiling fresco Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chiesa del Gesù, Rome, Italy https://baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Allegory_of_the_Power_of_Eloquence/Tiepolo_-_Allegory_of_the_Power_of_Eloquence_Circa_1725.jpg ac4684f77363ef7d37294dd4b277abb5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Allegory of the Power of Eloquence Description An account of the resource Ceiling painting by Giovanni Battista Tiepolo, originally in the Palazzo Sandi Creator An entity primarily responsible for making the resource Giovanni Battista Tiepolo Source A related resource from which the described resource is derived Wikimedia Commons contributors, "File:Tiepolo - Allegory of the Power of Eloquence, Circa 1725.jpg," Wikimedia Commons, the free media repository, https://commons.wikimedia.org/w/index.php?title=File:Tiepolo_-_Allegory_of_the_Power_of_Eloquence,_Circa_1725.jpg&oldid=518071154 (accessed November 9, 2021). Publisher An entity responsible for making the resource available Wikimedia Commons contributors, "File:Tiepolo - Allegory of the Power of Eloquence, Circa 1725.jpg," Wikimedia Commons, the free media repository, https://commons.wikimedia.org/w/index.php?title=File:Tiepolo_-_Allegory_of_the_Power_of_Eloquence,_Circa_1725.jpg&oldid=518071154 (accessed November 9, 2021). Date A point or period of time associated with an event in the lifecycle of the resource c. 1725 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1926. Format The file format, physical medium, or dimensions of the resource Oil on canvas Type The nature or genre of the resource Ceiling painting Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Courtald Institute of Art, London, UK https://baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Apotheosis_of_Saint_Dominic/The_Apotheosis_of_St._Dominic.jpg 4750c2ff7525fff6960334d8258b5dbf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apotheosis of Saint Dominic Description An account of the resource Ceiling fresco by Domenico Maria Canuti in the Chiesa Santi Domenico e Sisto Creator An entity primarily responsible for making the resource Domenico Maria Canuti Source A related resource from which the described resource is derived Livioandronico2013. File:The Apotheosis of St. Dominic.jpg, June 6, 2015. https://it.wikipedia.org/wiki/File:The_Apotheosis_of_St._Dominic.jpg#globalusage. Publisher An entity responsible for making the resource available Livioandronico2013. File:The Apotheosis of St. Dominic.jpg, June 6, 2015. https://it.wikipedia.org/wiki/File:The_Apotheosis_of_St._Dominic.jpg#globalusage. Date A point or period of time associated with an event in the lifecycle of the resource 1674 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource This file is licensed under the terms of the Creative Commons Attribution-Share Alike 4.0 International license You are free: to share - to copy, distribute and transmit this work to modify - to adapt the work Under the following conditions: attribution - You must provide the appropriate credits, a link to the license, and indicate if any changes have been made. You may do so in any reasonable way, but not in any way that suggests that the licensor approves you or your use. share alike - If you remix, transform or develop the material, you must distribute your contributions under the same or compatible license as the original. Format The file format, physical medium, or dimensions of the resource Fresco Type The nature or genre of the resource Ceiling fresco Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Chiesa Santi Domenico e Sisto, Rome, Italy https://baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Saint_Mark_Rewarding_the_Theological_Virtues/Veronese_Saint_Mark.jpg 415d903101616aed9ed991f51d4caccc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Mark Rewarding the Theological Virtues Description An account of the resource Ceiling painting by Paolo Veronese, originally in the Palazzo Ducale Creator An entity primarily responsible for making the resource Paolo Veronese Source A related resource from which the described resource is derived Paolo Veronese. 1556. Saint Mark rewarding the Theological Virtues.. painting. Place: Musée du Louvre, INV. 148.. https://library.artstor.org/asset/LESSING_ART_10310120258. Publisher An entity responsible for making the resource available Paolo Veronese. 1556. Saint Mark rewarding the Theological Virtues.. painting. Place: Musée du Louvre, INV. 148.. https://library.artstor.org/asset/LESSING_ART_10310120258. Date A point or period of time associated with an event in the lifecycle of the resource 1556 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource Photo Credit: Erich Lessing/ART RESOURCE, N.Y. The Service Platform and Content. The Service platforms and any trademarks, issued patents, and patent applications, copyrights and copyright registrations and applications, rights in ideas, designs, works of authorship, derivative works, and all other intellectual property rights (collectively, “Intellectual Property”) relating to the Service platforms are proprietary to ITHAKA and all Intellectual Property related to the Content provided by ITHAKA’s participating libraries, universities, publishers, scholarly societies, and other Content contributors are proprietary to them, subject to the rights of third parties. Format The file format, physical medium, or dimensions of the resource Oil on canvas, 330 x 317 cm Type The nature or genre of the resource Ceiling painting Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Musée du Louvre, Paris, France https://baroque.dahvc.org/fall-2021/files/original/Illusion_and_the_Baroque_Ceiling_Fresco/Jupiter_Punishing_the_Vices/Veronese_Jupiter.jpg b639f03955366fc693c07aaad283475e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Illusion and the Baroque Ceiling Fresco Description An account of the resource A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura. Creator An entity primarily responsible for making the resource Various artists Source A related resource from which the described resource is derived Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734. "Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956. Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&sid=summon&xid=e32d1bb3. Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210. Publisher An entity responsible for making the resource available Various publishers Date A point or period of time associated with an event in the lifecycle of the resource Baroque period (1600-1750) Contributor An entity responsible for making contributions to the resource Eliza Henne Format The file format, physical medium, or dimensions of the resource Fresco/Stucco Type The nature or genre of the resource Ceiling frescoes Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Various locations Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jupiter Punishing the Vices Description An account of the resource Ceiling painting by Paolo Veronese, originally in the Palazzo Ducale Creator An entity primarily responsible for making the resource Paolo Veronese Source A related resource from which the described resource is derived Paolo Veronese. 1556. Jupiter Punishing the Vices. painting. Place: Musée du Louvre, INV. 147.. https://library.artstor.org/asset/LESSING_ART_10310120541. Publisher An entity responsible for making the resource available Paolo Veronese. 1556. Jupiter Punishing the Vices. painting. Place: Musée du Louvre, INV. 147.. https://library.artstor.org/asset/LESSING_ART_10310120541. Date A point or period of time associated with an event in the lifecycle of the resource 1556 Contributor An entity responsible for making contributions to the resource Eliza Henne Rights Information about rights held in and over the resource Photo Credit: Erich Lessing/ART RESOURCE, N.Y. Format The file format, physical medium, or dimensions of the resource Oil on canvas, 560 x 330 cm Type The nature or genre of the resource Ceiling painting Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Musée du Louvre, Paris, France