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                <text>A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura.</text>
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                <text>Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734.&#13;
&#13;
"Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956.&#13;
&#13;
Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&amp;sid=summon&amp;xid=e32d1bb3.&#13;
&#13;
Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210.</text>
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              <text>Wikimedia Commons contributors, "File:Camillus, Allegory of Glory, ceiling fresco by Mariano Rossi - Galleria Borghese - Rome, Italy - DSC04953.jpg," Wikimedia Commons, the free media repository,https://commons.wikimedia.org/w/index.php?title=File:Camillus,_Allegory_of_Glory,_ceiling_fresco_by_Mariano_Rossi_-_Galleria_Borghese_-_Rome,_Italy_-_DSC04953.jpg&amp;oldid=498722303 (accessed November 20, 2021).</text>
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              <text>This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.&#13;
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The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.</text>
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