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                <text>A collection of Italian Baroque ceiling frescoes demonstrating emerging techniques for painted illusion, such as di sotto in sù and quadratura.</text>
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                <text>Enggass, Robert. “Bernini, Gaulli, and the Frescoes of the Gesù.” The Art Bulletin 39, no. 4 (1957): 303–5. https://doi.org/10.2307/3047734.&#13;
&#13;
"Illusionism." Grove Art Online. 2003; Accessed 13 Oct. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000039956.&#13;
&#13;
Lavergnee, Arnauld Brejon de. "The great illusionists." UNESCO Courier, September 1987, 30+. Gale OneFile: CPI.Q (accessed October 12, 2021). https://link.gale.com/apps/doc/A6133957/CPI?u=duke_perkins&amp;sid=summon&amp;xid=e32d1bb3.&#13;
&#13;
Wheeler, Katherine. “Fictive and Real Architecture: A Preliminary Drawing for Andrea Pozzo’s Vault Fresco at Sant’Ignazio, Rome.” Thresholds, no. 28 (2005): 100–153. http://www.jstor.org/stable/43876210.</text>
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              <text>Livioandronico2013. File:The Apotheosis of St. Dominic.jpg, June 6, 2015. https://it.wikipedia.org/wiki/File:The_Apotheosis_of_St._Dominic.jpg#globalusage.</text>
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              <text>&#13;
This file is licensed under the terms of the Creative Commons Attribution-Share Alike 4.0 International license&#13;
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to share - to copy, distribute and transmit this work&#13;
to modify - to adapt the work&#13;
Under the following conditions:&#13;
attribution - You must provide the appropriate credits, a link to the license, and indicate if any changes have been made. You may do so in any reasonable way, but not in any way that suggests that the licensor approves you or your use.&#13;
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